史密斯一家来到瑞典偏远的斯瓦尔塔岛度假，却因为不友好的当地人和奇怪的仪式而感到不安，他们试图好好享受岛上与世隔绝的自然美景，固执地想要忽视周遭的怪异。然而，随着节日的临近，这家人意识到有更邪恶的事情正在发生，并且他们还发现一个连环杀手正在这座岛上逍遥法外。

　　卡莉（朱莉娅·路易斯-德利法斯 Julia Louis-Dreyfus 饰）的儿子斯科特（查理·霍夫赫梅尔 Charlie Hofheimer 饰）离家出走了，这可急坏了这位单亲母亲。卡莉找到了名为杰克（比利·克里斯托 Billy Crystal 饰）的男子，向他寻求帮助，因为杰克很有可能是孩子的父亲。杰克认为卡莉无凭无据血口喷人，拒绝了她的请求。之后，卡莉又找到了戴尔（罗宾·威廉姆斯 Robin Williams饰），因为戴尔也很有可能是孩子的父亲。
　　戴尔了解了大致情况之后，欣然同意帮助卡莉，并且马上就踏上了寻找斯科特的旅途。这边厢，卡莉的话语让杰克内心久久不能平静，于是，他也决定出发寻找斯科特的下落。

一张标志性的越战照片究竟源于何处？这部纪录片探究了这张划时代照片的创作者。

　　2012年，美国经济状况恶化，犯罪率剧增，已逐步私人化的监狱为谋取暴利不择手段，于是“死亡飞车”比赛应运而生。昔日优秀的赛车手弗兰克（Jason Statham 饰）在工厂里参与了一场工人抗议，结果当天夜里，有人潜入他的家中，杀害了他的妻子，弗兰克却被当做凶手蒙冤入狱。监狱长、死亡飞车比赛的组织者轩尼诗（Joan Allen 饰）要求弗兰克顶替身死的蒙面赛车手科学怪人，并允诺只要弗兰克以科学怪人的身份再赢一场，他即可获得自由。弗兰克与领航员凯丝（Natalie Martinez 饰）进入了这场驾驶改装车并随时会遭遇死亡的疯狂游戏，怎奈他心不在焉的状况下出师不利，弗兰克面临轩尼诗的威胁与陷害，不得不放手一搏……

　　A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure.

　　根据一对父子的真实故事改编，他们在阿巴拉契亚小径的徒步旅行中修复了破裂的关系，寻找他们心爱的迷路狗。

　　本片改编自美国家喻户晓的连环杀手“艾德.盖恩”的真实故事，但修改了案发地和凶手的姓名，此片讲述了凶手在他母亲死后由于受不了母亲已经死亡的打击，开始犯下盗墓、谋杀、毁尸、食人和恋尸癖等罪，并开始慢慢走向精神错乱的过程……
　　文/灵魂在线

　　It follows a desperate man as he robs a pill mill.

　　This would definitely not have been my kind of movie, but my husband saw it on TV and said it was really good. So, on his recommendation, I bought a copy, since I didn't know if it would ever be on TV again. I had never heard of anybody in it except Armand Assante. At first I had a hard time getting into the story, because the first part of the movie is a jumble of images-- and it doesn't make much sense. It is only later in the movie that it all comes together. The scene-cutting- if that's what it's called, is a bit jarring-- it sometimes looks as if a few frames have been cut out of each scene, and the scenes are jerky--but I guess that was done to add to the unusualness (if that's a word). The story veers here and there, and just about the time you have it all figured out, everything turns upside down and you have to readjust your thinking as to who is the bad guy and who is not. Or bad woman. The acting is very good-- I kept thinking how much Norman Reedus looks like Leo Decaprio. The ending was a real twist, totally unexpected, which I liked. A good show.

　　故事背景设定在全球最猛闹鬼邮轮「玛丽皇后号」，如今以闹鬼而闻名的它，在1930年代晚期是足以媲美泰坦尼克号的豪华邮轮。本片故事描述1938年万圣节夜晚，一个家庭搭乘玛丽皇后号展开远洋旅程途中所经历的恐怖事件，而他们的遭遇意外影响了另一个在现代登上玛丽皇后号的家庭。

　　Alan（Robin Williams饰）是剪接师，却不是一个寻常意义上的剪接师。他负责把人死后脑袋的记忆芯片剪成一段华美的乐章，把人生里的丑恶苦痛悉数删除，用来餍足前来参加哀悼会的人。剪接师本身不可以种植记忆芯片，Alan在调查一个人生前的事迹时，面临了这份工作的最大冲击，一个侵犯自己女儿的人，也要被剪接成为一个完美无缺的典范吗？此时他还发现童年的梦魇再现，自己曾经害死的朋友尚在人间。而曾经看过女友前男友记忆的事情又被发现，女友毅然离去。种种风波掀起，最大的惊恐却是Alan发现自己原来也被植入了记忆芯片。

　　在底特律老虎队服役19年的灵魂人物比利契波（凯文科斯纳饰演）面临生命的低谷：这个赛季球队表现不佳，自己的旧伤复发，老东家将出售球队，新东家一接手就将把他转会，他的女朋友珍欧柏瑞（凯莉普瑞斯顿饰演）要远赴英国。在充满敌意的客场上，他孤零零地站在投手板上，奋力的投出每一球，并且重新审视自己的一生。
　　最终他带领自己的球队创造出了杨基球场上四十年未见的奇迹，一场主队0安打0得分的比赛。
　　这是一个你明知结局也会被深深感动的电影。

　　该纪录片分为两部分，讲述了一位母亲把女儿送给别人收养，在后者于1989年失踪后，这位坚毅的女性揭开了该案的重重迷团。

　　When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.

　　“有些人要死在灰姑娘手里”。

　　Sequel to Becky (2020).

　　丹尼（裘德·洛 Jude Law 饰）永远记得他和安娜（格瑞辰·摩尔 Gretchen Mol 饰）的第一次相遇，那年，他五岁，而安娜只是一个刚刚降生的小生命。当男孩丹尼用自己的手费力的解开缠绕在安妮脖颈上的脐带时，他便坚定的相信，这个哇哇啼哭的女孩终有一天会成为自己的妻子。
　　一晃二十年过去，从英国归来的丹尼已经长成了英俊的青年，同样的，安娜也出落成为了亭亭玉立的美女。只是，如今的安娜早就不是当年那个手无缚鸡之力的柔弱婴孩了，一股倔强而独立的气息从她年轻紧致的肌肤里散发出来，这让丹尼更为着迷。丹尼和安娜，有着传奇性相遇的他们，能否收获美满的结局呢？

　　从QAnon的兴起到1月6日的骚乱，《反社交网络》讲述了一群因孤独而聚集在一起的无聊青少年如何建立了一个在线社区，但在这个过程中却意外地打破了共识的现实。

　　B级片恐怖大师约翰·卡朋特导演作品。一名女子遭到对面高层建筑的一名男子的偷窥，精神已经接近崩溃边缘，她开始求助警察并决定自己追捕这名男子的行踪。

　　In an intensely personal and often surprising film for BBC Two, Depression And Me, Alastair Campbell explores if radical new treatments can stop his depression.
　　Campbell is best known for his role as Tony Blair’s formidable and often contentious spin doctor but, away from the public eye, he has been dogged by crippling bouts of depression for most of his life. Some days, just getting out of bed is too hard. Therapy and anti-depressant medication is helping him keep his head above water - but is that really the best he can hope for?
　　Alastair Campbell says: “I’ve been on antidepressants for years and years and none of them can stop it. I want to understand my depression and find out if modern science has any better ways of treating it. I’m hoping there’s something out there that can help me lead a happier life.
　　“I feel we are nearing a tipping point in the battle to demolish the stigma and taboo surrounding mental illness and TV is a very good medium for bringing these issues right out into the open. I have never regretted being open about my own issues but an important part of this film is also seeing my depression through the eyes of members of my family, especially my partner Fiona. I was also keen to get out there and find out what kind of progress was being made on the scientific and research front. There is a lot going on. My worry is that we are winning the battle for better awareness but losing the battle for the services we need.
　　"I was very pleased with the reaction to the film in Sheffield [at Doc/Fest]. One film alone cannot change the world but there is finally the focus on these issues that we need and hopefully one day we will have services to match.”