勇敢无畏的乌利·史戴克和丹尼·阿诺专攻高山，这次两人挑战瑞士阿尔卑斯山大北壁，比拼谁能创下最速纪录。

　　Ayzek, who has been a waiter on ferries for years, becomes unemployed due to the pandemic and eventually finds a job at a hotel on the night shift. However, who knows what will happen to Ayzek on his first night.

　　Ex-special forces officer turned Private security bodyguard Arjun Varma, agrees to protect Central Environment Minister Adtiya Raj Bahadur while he’s in London for a Climate Change Conference at the UN. But a series of events force him to protect much more than his client.

　　The community that was exploited by the town's influential man, who completely rules due to the powerful backing of the authorities. A man collects evidence to flip him upside down when he was helpless to stop his endless torture.

　　《英湘》是首部在法国戛纳电影节上映的菲律宾电影。
　　它借女主角英湘如身陷地狱的生活，展现了七十年代马尼拉贫民区的真实面貌。
　　电影奇峰突出，批判笔触辛辣，震撼国际影坛。

　　1970 年，一个电影放映团在泰国各地巡演，他们通过给备受喜爱的电影进行现场配音来给热情的观众带去欢乐，同时也应对着各种挑战。

　　破敗的上流舊邸中，年華老去的變裝皇后一針一線地繡著寂寞。一個動盪的夜裡，年輕帥氣的革命份子卡洛斯走進她的世界，頹圮的人生再次有了綺念。為了維繫關係，她讓卡洛斯在家裡堆放不明紙箱、進行祕密聚會，明知這段忘年曖昧希望渺茫，但為了珍稀的愛，她無悔無憾。隨著同在暗處的兩人越走越近，一場風暴也漸漸成形，這段戀情及國家的未來，都將因此翻天覆地⋯⋯。
　　改編自拉美同運先驅萊梅貝爾的同名小說，以復古濃郁色調描繪智利風聲鶴唳的獨裁年代。同被打壓的性少數和政治少數，在歷史的十字路口談起沒有明天的戀愛。智利影帝卡斯特羅繼《愛獄王子》後再次挑戰酷兒題材，破天荒化身變裝皇后大談老少戀。不僅藉著眼神巧妙演繹出主角的不安與盼望，更精準平衡了風塵跨性女子的浪漫與滄桑。本片入圍2020年威尼斯電影節威尼斯日單元。

　　忧郁的女孩有作家的街区，没有家。她在这个美丽的、新的、新自由主义的世界里，通过可能的生活方式的市场，在路上遇到了几个男人。
　　一个女孩在城里游荡，寻找一个睡觉的地方。一路上，她遇到了年轻的母亲，她们虔诚地庆祝母亲身份，和一个禁欲的存在主义者回家，对他们来说，性只是“另一个市场”，在一个酒吧里等待资本主义的终结。她写一本书的尝试并没有超过第二章第一句话，而且她在美术馆、瑜伽馆和陌生人的床之间找不到任何空间。她不再试图适应，而是开始把自己的抑郁视为一个政治问题。通过15次女孩的幽默遭遇，你不开心吗？探索我们的后现代社会之间的不稳定和营销，连续的一夫一妻制和新精神，幻灭和压力，幸福。苏珊海因里希的处女作将流行与理论、女权主义与幽默融为一体，并以霓虹灯字母的形式在广告牌上给你提供了大量你想看到的引用。

　　Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy.

　　艰难时期，人们想要回家都要克服重重困难......imdb7.8分。

　　Ambitious mid-life careerist Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly she finds herself without a place to live, job or family. With every fiber of her being calibrated for success, Hanna is set on getting it all back. But getting there means having to win something much more important, love and desire for herself and who she is.
　　"The Year I Started Masturbating" is Erika Wasserman's (Silent Roar, Border) first full-length film as director.

　　公元7世纪，朱罗王朝失去权力，其人民被迫住在树林中，Pandiyan王子Ranadheeran在这一时期统治着国家。

　　A team-building conference for municipal employees which turns into a nightmare when accusations of corruption begin to circulate and plague the work environment. At the same time, a mysterious figure begins murdering the participants.

　　伊恩是一名少年，与父亲住在郊区，利用特殊能力对毫无戒心的受害者产生视觉幻觉，进行一些小骗局。当他的能力在公共场合失控时，事情变得复杂起来。

　　为了抓捕一名在逃通缉犯，这名警察不得不向传奇渔夫沃尔泰·维拉亚求助，而此人同样恶名远播。

　　Petty criminal Naai Sekar kidnaps dogs belonging to the rich in order to collect a ransom, but makes a critical mistake when he abducts the dog of a ruthless gangster.

　　来自钦奈的记者塔亚尔·纳亚吉（Thaiyal Nayagi）碰巧通过一个以她16岁表姐苏希米莎（Sushmita）名义的假账户与突尼斯的一名恐怖分子联系起来。她几乎不知道这会使自己和她的表姐处于危险之中。

　　It revolves around a mysterious man who justifies his crime. According to him, people commit crimes for two reasons to hide wrongdoing or to ensure a flawless future.

　　2019年也门内战期间，一对中年夫妻因为国家经济崩溃失去了工作。育有3个孩子的他们入不敷出，第4个孩子的即将来临让这个家庭雪上加霜，堕胎似乎成了唯一选择。本片由导演阿姆·贾马尔根据朋友的真实故事创作，得益于群众演员的配合，他用克制而又纪实的镜头记录了五口之家的日常生活，小到买菜的窘迫，大到被迫搬家的无奈，在大量细节中带观众体会这个家庭的艰辛。影片还探讨了在也门有巨大争议的堕胎问题以及女性所面对的巨大压力。入围2023年柏林国际电影节全景单元观众奖。

　　Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing.
　　Set in a family hotel in Northern Italy in 1945, the film concerns Rosa (Leonora Fani), who helps her mother run the hotel while awaiting her soldier father's return from the front. In a Barilli film, nothing is as it seems, and before long Mom (who is sleeping with a traitor she's hidden in the attic) is murdered. Then poor Rosa is raped by two of the guests, who also are murdered, and while she's hiding the bodies she is forced into an orgy by all of the other guests. But before the guests get to far a mysterious man enters all shots the guests. Who is this mysterious man and what are his intentions for Rosa?
　　Like all the best gialli, Pensione Paura completely dispenses with logic early on, elevating weirdness to nearly operatic levels while absorbing the viewer in a thick and spellbinding atmosphere of mounting dread. Francisco Rabal co-stars with Luc Merenda, Lidia Biondi, and Jose Maria Prada.

　　When Ramona meets the charismatic Bruno on one of her strolls through the city, it never occurs to her that she might encounter him again the following day. Will an innocent flirtation get in the way of her career dreams and the perfectly good relationship she has with her boyfriend? A refreshing romantic comedy that sets the scene for the immortal feud between sense and sensibility.

　　A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category Special Jury Award at the Lubuskie Film Summer in Lagow 1973 - Special Award for Screenplay at the San Remo Film Festival.

　　安东尼娅（马吉莉塔·贝 Margherita Buy 饰）是一名专门研究治疗艾滋病的医生，她的丈夫在一场车祸中不幸丧生，爱人的死让安东尼娅陷入了悲痛和绝望之中，久久的无法从阴影中走出来。
　　让安东尼娅没有想到的是，丈夫生前竟然背叛了自己。实际上，他是一名同性恋者，有一个名叫迈克（斯蒂芬努·阿科西 Stefano Accorsi 饰）的情人。无法解开心结的安东尼娅决定去见一见迈克，很快，她便发现，迈克和很多同他一样的边缘人们一起居住在一幢公寓中，贫穷和疾病深深困扰着他们。安东尼娅选择了隐瞒自己的真实身份，因为她有更重要的事情要做。