波利安娜2003

　　贾斯伯（梅尔维尔·珀波 Melvil Poupaud 饰）来到布列塔尼亚的海边小镇度假，在这里，总是独来独往的他结识了餐馆招待玛戈（阿曼达·朗格勒 Amanda Langlet 饰），两人一见如故相谈甚欢。贾斯伯告诉玛戈，他和一个名叫琳娜（奥蕾莉亚·诺林 Aurelia Nolin 饰）的女孩相约于此，玛戈对此一笑了之不置可否。在一场舞会上，贾斯伯遇见了野性美女苏兰（Gwenaëlle Simon 饰），对她一见钟情，苏兰也对这个能歌善舞的小伙子心存好感。虽然玛戈心里不是滋味，但表面上她大度的祝福了这段感情。贾斯伯邀请苏兰共赴他心目中的梦幻之岛，没想到姗姗来迟的琳娜出现在了他的眼前。梦中情人的出现让贾斯伯无比欢欣，很快就忘记了和苏兰的约定，可是琳娜的性格如这个夏天一般多变，此刻还风和日丽，下一刻便已下起瓢泼大雨。苦恼的贾斯伯只得去向玛戈倾诉，但心怀爱意的玛戈也无法给予他更多的帮助。
　　在这个充满了激情和艳遇的夏天，徘徊在三个女孩之间的男孩究竟会怎样面对自己的感情呢？

　　信浓有一座楢山，附近山村的人到了七十岁就得进楢山。六十九岁的阿玲（田中绢代 饰）还有两件事放不下：一是四十五岁的儿子辰平（高桥贞二 饰）去年成了鳏夫；二是长孙袈裟吉（市川团子 饰）总是在村里人面前嘲笑自己牢固的牙齿。一年一度的祭祀日，等来了新儿媳阿玉（望月优子 饰）的阿玲狠下心在石臼上磕掉了两颗门牙。割稻子的时节，袈裟吉将怀着身孕的阿松（小笠原庆子 饰）领进了家门，并催促祖母早点进山。与袈裟吉不同，善良的辰平舍不得母亲进山。可是面对人口增加食物不足的状况，辰平别无选择，只得遵照母亲的意愿，在新年之前将母亲背上楢山……

An adventurous teenager and her grandmother are the protectors of a magical doorway to a land of dinosaurs when a baby dinosaur, Junior, decides to stay in our world and stumbles upon a group of criminals planning an evil scheme. Wendy bands together with an orphan boy, Curtis, to save the town and get Junior back home.

　　在一个充满忽视、腐败和暴力的墨西哥边境小镇，一名老师决定尝试一种激进的新方法来释放学生的潜力与好奇心，甚至发掘出他们的天才之处。

　　西南边陲山寨也受到商品大潮的冲击，人们都向往富足美满的生活。谭小强在外国闯荡了几年，赚了钱回来，用上了摩托车，引来村民们羡慕的目光。尤其一些年轻人也作起了南洋梦。小强的女友高玉婉和玉婉弟弟的女友依香瞒着家里人，同小强悄悄走了，到异国去寻找他们的梦。然而，等待他们的却是他们想不到的命运。一出国门就被一个叫老三的人接去住到凤姐住处，说是要给她们找个好工作。夜里，两个姑娘被什么声音惊醒，看到汽车运来一些鼓鼓的麻袋，放在院子里。玉婉偷偷打开一个，她惊呆了。里面都是同自己年龄相仿的女孩子。这些姑娘哭着告诉玉婉，他们是被谭小强等人拐骗来的，要把她们卖到妓院里去。玉婉气愤地质问谭小强为什么要干这伤天害理的事。可是已经晚了，谭小强染上了毒瘾不能自拔，被迫将自己的恋人也交给了人贩子。玉婉、依香和其他姑娘被人贩子运到了妓院，开始了日夜与禽兽为伴，惨遭凌辱的非人的生活，她们欲哭无泪，上天无路，入地无门，逃跑了又被抓回。她们只能度日如年地等待着。同时，国内的亲人也在四处寻找着她们，玉婉的弟弟借了钱出国寻找着，吃尽了苦头。中国警方和泰国警方也在联手搜捕这帮人贩子。终于，她们在警方的营救下回到了自己的祖国，脱离了那不堪回首的痛苦生活。

　　A village on the Georgian Black Sea is full of friendly people convinced they know each other. One day, Eliko is found hanged. His granddaughter Moe comes to organize his funeral. She is confronted with a web of lies and the tragic consequences of Eliko’s hidden love life with Amnon, which lasted 22 years. The truth however frees Moe’s capability to love and forces the villagers to take a stand.
　　A homage to the forgotten people, a struggle against bigotry, an act of empowerment for generations struggling with their identity to give them a story through which to imagine themselves in the future.
　　– Elene Naveriani

　　Do-gyeong jumped in to save his student Jiyong from drowning. After the two pass away, Myeongji, Do-gyeong's wife, and Jieun, Jiyong's sister, are left alone in the world, having to cope with the loss of their loved ones. Myeongji travels to Warsaw, Poland, to avoid her harsh reality. She meets an old friend and hides her husband's death as if trying to reject the tragedy.

本作は、13歳のときから現在に至るまで拉致されたままの横田めぐみさんを主軸に、田口八重子さんを含む拉致被害者の苦悩と闘いを、綿密な取材にもとづきリアルに描写した劇映画。1人の女性が体験する悲劇や、家族の愛情と正義に立ち向かう人々の織りなすドラマが映し出される。

　　A miracle independent film capturing the growth of a single baby over a period of 3 years.
　　The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers.

　　高森美由紀の小説「ジャパン・ディグニティ」を映像化した本作は、青森の伝統工芸である津軽塗、通称“バカ塗り”をテーマにした物語。何をやってもうまくいかず自信を持てない青木美也子が、津軽塗職人の寡黙な父・清史郎との暮らしの中で津軽塗に改めて向き合い、自分の進む道を見つけていくさまが描かれる。

　　一部以十九世纪为背景的古装剧，处境是豪华的歌剧院，主角是一对歌剧作曲及作词排挡。上半部是两人的斗气斗戏，下半段则讲作曲家受日本文化感染而编出经典剧目《THE MIKADO》。影片多幕戏中台上戏，令人叹为观止。

　　影片改编自大卫·格兰所著畅销书《Killers of the Flower Moon：The Osage Murders and the Birth of the FBI》，聚焦1920年代的美国俄克拉何马州，“欧塞奇族印第安人谋杀案”（Osage Indian Mur ders）。当年欧塞奇族人因原居地发现油矿而获得持续巨额收入，有人为阻止上述安排而策划连环谋杀，4年间60人被杀，震惊全国。为此当年美国政府成立“调查局”（即FBI联邦调查局前身）跨部门调查，揭发维护欧塞奇族人权益的“欧塞奇监护人计划”原来极度腐败；最后即使在大量证据下，亦只有少数的谋杀案获得起诉。